When his father commits suicide after being ruined by dishonest stockbroker Abner Hinman, Randolph Shorb resolves to gain revenge and rebuild his fortune by whatever means necessary.

When a mysterious woman seduces Dom into the world of crime and a betrayal of those closest to him, the crew face trials that will test them as never before.

David Walliams has co-created a brand new retelling of a classic fairytale, starring as the Giant in Jack and the Beanstalk: Ever After. In Walliams’ version, the Giant didn’t die after falling off the beanstalk, but escaped with a concussion and no way back to his home. Stuck in a human village, he’s forced to seek help from the unlikeliest of sources – all the while attempting to outsmart the villagers.

With a name like Chlamydia Love, it comes as no surprise that the young lady in question is considered to be the office slut. Her colleagues also do not miss an occasion to ridicule her when she talks about her imaginary prince on a white horse. Chlamydia couldn’t care less. She just has to jump into a flushing toilet bowl to meet her beloved, the handsome surgeon Algernon Hertz. But her precious prince keeps her waiting and locals turn out to be a whole lot more savage that what is mentioned in the glossy tourist brochures. Chlamydia has to go on the run and ends up in the lair of the misanthropic scientist Helmut Mandragorass, a specimen of the male race not exactly blessed with dashing looks as his protruding forehead dwarves everything else. Paradise isn’t always what it seems to be.

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The film, based on the William Sirls book, follows a small-town pastor, his wife and their sick child as a mysterious man is sent to give them hope. Sirls adapted his book for the screen, writing the screenplay with Aviv Rubinstein and Richard Clark Jr.

Even though Goo Hae-Ra is smart and beautiful, she is in miserable situation because of her family. Her older sister attempted suicide and her father passed away. The only way she can escape her situation is with money. She approaches Tae In-Joon. He is the second son of a shoe company owner. Tae In-Joon falls in love with Goo Hae-Ra.

The fate of Tokugawa’s world hangs in the balance as Yagyu Jubei is sent on a mission to discover what happened to 10 of the shogun’s spies that never returned. Matsukata Hiroki, one of the last surviving members of the Golden Age of Japanese Cinema proves that he has not lost a step as he portrays an older and wiser Yagyu Jubei in a movie that brings the best of samurai filmmaking into the 21st century. Summoned from semi-retirement by Shogun Iemitsu, Jubei is asked to take to the road and investigate a clan rumored to be preparing explosives for a rebellion. With help from a beautiful female ninja they head into the Shirakawa domain where the fighting skills of both are tested time and again as they strive to destroy a conspiracy that could bring a new Warring States Era. In the 1960's Yagyu Jubei was the signature role of the great Konoe Jushiro, father of Matsukata Hiroki. This brings the character full circle.

Ada is a young girl who believes that if she is abandoned by her first love, she will be unhappy forever like the women of her maternal side. While trying to escape the fate of her family, Ada falls in love with Rüzgar, a student from Albania at the same university who is threatened with deportation. Believing that Rüzgar is her first love, Ada proposes him and they have a fake marriage to prevent his deportation. She believes that Rüzgar will literally propose to her on the 3rd anniversary of their fake marriage and then their real marriage adventure will finally begin. But unfortunately, all the dreams and hopes of Ada will be ruined when she is abandoned by Rüzgar on their 3rd wedding anniversary. Ada immediately takes action to get her first love back. But fate has its own way and will put Bora in Ada's way at an unexpected moment... A workaholic, callous, self-righteous alpha male with tightly closed doors for love...

After losing a family member to a violent crime, a shattered rideshare driver picks up a passenger that forces him to confront his grief.